1. Marcus Harvey: White Riot

    Title: Marcus Harvey: White Riot
    Location: White Cube, Hoxton Square
    Date: 2009-02-27

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    Marcus Harvey: White Riot

    Marcus Harvey is best known for his infamous portrait of Myra Hindley, which came to prominence in the ‘Sensation’ exhibition at the Royal Academy of Arts, London (1997). The centrepiece of his new exhibition, ‘White Riot’, a title taken from the 1977 debut single by punk band The Clash, is a work that seeks to be no less powerful or provocative. A large-scale black and white portrait of Margaret Thatcher, ‘Maggie’ is based on a famous photograph of Thatcher taken at the launch of the 1987 Tory Party election manifesto. It is composed of over 15,000 plaster-cast objects ranging from vegetables to sex toys.

    Alongside ‘Maggie’, Harvey presents three monumental bronze sculptures. ‘Victoria’, a deflated 1960’s football, suggests bygone World Cup glory. ‘Nike’, a winged WWII helmet resting on rifle barrels, forms a classical parody of military heroism. ‘The Lord High Admiral’ is modelled on the statue of Sir Winston Churchill situated in London’s Parliament Square that was vandalised in the 1990’s by Poll Tax rioters, who added a slice of grass turf, providing him with a green Mohican.


  2. Book Club

    123479550916Title: Book Club
    Location: The Photographers’ Gallery
    Description: Join the Book Club as we tackle Alain Badiou’s recently translated text Being and Event, led by Dr Nina Power, Lecturer in Philosophy at Roehampton University.

    This Book Club will focus on two specific passages in Badiou’s text by way of introduction to his work and to the idea of Being, non-being and Event.

    Introduction (p.1-20)
    Meditation thirty-two; Rousseau (p.344-354).

    This book is available to buy from our Bookshop

    FREE, Just turn up.
    Start Time: 18:30
    Date: 2009-04-09


  3. Biennials and Triennials How, Why and Who For?

    pict4
    Title:
    Biennials and Triennials How, Why and Who For?
    Location: Tate Britain Manton Studio
    Description: The recent boom in triennials and biennials has been noted by critics and artists alike. Lewis Biggs, Director of the Liverpool Biennial and former Director of Tate Liverpool, assesses how successful the format is in conveying themes and theories such as Altermodern, and whether Tate Britain is an appropriate home for an international art festival.
    See also:

    Altermodern
    Manifesto
    POSTMODERNISM IS DEAD

    A new modernity is emerging, reconfigured to an age of globalisation – understood in its economic, political and cultural aspects: an altermodern culture

    Increased communication, travel and migration are affecting the way we live

    Our daily lives consist of journeys in a chaotic and teeming universe

    Multiculturalism and identity is being overtaken by creolisation: Artists are now starting from a globalised state of culture

    This new universalism is based on translations, subtitling and generalised dubbing

    Today’s art explores the bonds that text and image, time and space, weave between themselves

    Artists are responding to a new globalised perception. They traverse a cultural landscape saturated with signs and create new pathways between multiple formats of expression and communication.

    The Tate Triennial 2009 at Tate Britain presents a collective discussion around this premise that postmodernism is coming to an end, and we are experiencing the emergence of a global altermodernity.

    Nicolas Bourriaud
    Altermodern – Tate Triennial 2009
    at Tate Britain
    4 February – 26 April 2009


    Start Time: 13:00
    Date: 2009-03-20
    End Time: 14:00


  4. Birds, Willem de Rooij

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    Title: Birds, Willem de Rooij
    Location: CUBITT Gallery and Studios 8 Angel Mews London N1 9HH
    Description: Throughout March 2009, Cubitt Gallery welcomes a specially commissioned installation by renowned Dutch artist Willem de Rooij (1969), entitled Birds. De Rooij\’s eloquent research on the cultural resonance of artifacts and the afterlife of visual mass-distribution have lead to successful solo projects and collaborations (as part of artist-duo DeRijkeDeRooij), along with acclaimed exhibitions at international institutions, such as Stedelijk Museum Amsterdam, K21 Düsseldorf and MAMBo museum for Modern Art, Bologna.
    Date: Sunday 1 March to Sunday 29 March 2009
    Private View: Sat 28 Feb 2009, 5:00PM to 7:00PM


  5. On the Idea of Communism - Conference

    Title: On the Idea of Communism - Conference
    Location: Logan Hall Institute of Education, University of London 20 Bedford Way London WC1H 0AL
    Description:

    “It’s just the simple thing that’s hard, so hard to do.”(B.Brecht)

    The year of 1990 stands for the triple defeat of the Left: the retreat of the social-democratic Welfare State politics in the developed First World, the disintegration of the Soviet-style Socialist states in the industrialized Second World, and the retreat of emancipatory movements in the Third World. A certain epoch was thereby over, the epoch which began with the October Revolution and was characterized by the Party-State form of organization. Does this mean that the time of radical emancipatory politics is over?

    In recent years, there are multiple signs which indicate the need for a new beginning. The utopia of the 1990, the Fukuyamaist “end of history” (liberal-democratic capitalist as the finally found natural social order) died twice in the first decade of the XXIst century. While the 9/11 attacks signaled its political death, the financial crisis of 2008 signals its economic death. In these new conditions, the task is not only to reflect on new strategies, but to radically rethink the most basic coordinates of emancipatory politics. One should go well beyond the rejection of the Party-State Left in its “Stalinist” form – a common place today -, and extend this rejection to the entire field of the “democratic Left” as the strategy to reform the system from within its representative-democratic state form. Much more than the debacle of the Really-Existing Socialism, the defeat of 1990 was the final defeat of this “democratic Left.” This defeat raises the question: is “Communism” still the name to be used to designate the horizon of radical emancipatory projects? In spite of their theoretical differences, the participants share the thesis that one should remain faithful to the name “Communism”: this name is potent to serve as the Idea which guides our activity, as well as the instrument which enables us to expose the catastrophes of the XXth century politics, those of the Left included.

    The symposium will not deal with practico-political questions of how to analyze the latest economic, political, and military troubles, or how to organize a new political movement. More radical questioning is needed today - this is a meeting of philosophers who will deal with Communism as a philosophical concept, advocating a precise and strong thesis: from Plato onwards, Communism is the only political Idea worthy of a philosopher.

    “The communist hypothesis remains the good one, I do not see any other. If we have to abandon this hypothesis, then it is no longer worth doing anything at all in the field of collective action. Without the horizon of communism, without this Idea, there is nothing in the historical and political becoming of any interest to a philosopher. Let everyone bother about his own affairs, and let us stop talking about it. In this case, the rat-man is right, as is, by the way, the case with some ex-communists who are either avid of their rents or who lost courage. However, to hold on to the Idea, to the existence of this hypothesis, does not mean that we should retain its first form of presentation which was centered on property and State. In fact, what is imposed on us as a task, even as a philosophical obligation, is to help a new mode of existence of the hypothesis to deploy itself.” (Alain Badiou)

    Speakers:
    Judith Balso, Alain Badiou, Bruno Bosteels, Terry Eagleton, Peter Hallward, Michael Hardt, Jean-Luc Nancy, Toni Negri, Jacques Ranciere, Alessandro Russo, Alberto Toscano, Gianni Vattimo, Slavoj Zizek

    The Birkbeck Institute for the Humanities
    LINK

    Date: 2009-03-13


  6. Denys Lasdun: The Architects Who Made London

    national-theatre

    Title: Denys Lasdun:The Architects Who Made London
    Location: Royal Academy of Arts
    Description:

    Denys Lasdun’s bold and dramatic designs of the 1960s, like the National Theatre and the Royal College of Physicians, are among the most notable buildings to come from the theoretical energy that made London an important centre for architectural thought in the 1950s.

    Dr Barnabas Calder, University of Strathclyde, reveals Lasdun’s very personal interpretation of archetypal forms, which Lasdun believed to be the essence of architecture and city-making.

    Royal Institution, Albemarle Street, W1S 4BS;6.30–8pm; £10/£5* (includes a drink)
    Start Time: 18:30
    Date: 2009-03-09
    End Time: 20:00


  7. A Series of Fortunate Events

    Title: A Series of Fortunate Events
    Location: Cafe Oto, Dalston, London
    Description: Small But Perfectly Formed presents “A Series of Fortunate Events” displaying something of the relationship between improvisation and composition.

    The Seen
    Improvisations by new sextet put together by Mark Wastell.
    -
    Nancy Ruffer (flutes)
    Outstanding flautist performs composed pieces and improvisations
    -
    Autopoiesis
    Ashley-John Long (d.bass) / Tom Jackson (reeds)
    Duo plays for the first time in London

    CAFE OTO
    18-22 Ashwin Street,
    Dalston, E8 3DL

    Nancy Ruffer specialises in performing contemporary music. She has performed and recorded for the BBC, and in festivals and concert halls throughout the world. She is an Associate of The Royal Academy of Music.

    Ashley John Long is a muli-intrumentalist and composer. Work includes Keith Tippett quartet, Chamber Orchestra of Wales, Millenium Ensemble, the Heavy Quartet…

    The Seen mixes musical styles, backgrounds and experiences to investigate different involvements in the music making. It includes Phil Durrant (maschine), Matt Davis (trumpet), Phil Julian (contact microphones, surfaces/objects and electronics), Dominic Lash (contrabass), Paul Abbott (piezo discs, metal, cymbal, mylar speaker, tape recorder, mixer) and Mark Wastell (tam tam, scrutti box).
    Phil Durrant
    Matt Davis
    Cheapmachines
    Dominic Lash
    Pau Labbott
    Mark Wastell
    Start Time: 08:00
    Date: 2009-02-19


  8. Jan van Toorn

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    Title: Jan van Toorn
    Location: Mermaid Theatre Puddle Dock Blackfriars London EC4V 3DB Tube: Blackfriars
    Description: Jan van Toorn, born in Tiel, Netherlands in 1932, is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s.

    He studied Graphic Design at the Amsterdam School of Printing from 1949 and from there the Institute of Arts and Crafts (now the Gerrit Rietveld Academie) until 1953.

    The emotional charge in Van Toorn’s designs stems from his interest in investigating visual meaning and the social role of the profession. He focuses on substance rather than smooth stylistic expression and develops questioning alternatives to the usual design world conventions.

    Projects such as his posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a form of critical practice. His highly original, actively engaged and often controversial body of work, poses a challenge to visual communication that remains relevant today.

    His radical teaching and practice were highly influential on the younger generation of Dutch designers. He has taught for many years at various academies and universities in The Netherlands and abroad, including the Royal Academy for Art and Design. From 1991 until 1998 he was Director of the Jan van Eyck Academy in Maastricht, transforming it into an international postgraduate centre for fine art, design and theory. He has been Associate Professor for the Graphic Design MA, Rhode Island School of Design, USA, since 1987.

    Jan will be reviewing his career, showing work and bringing the discussion up to date with his current activities and ideas.
    Start Time: 20:00
    Date: 2009-03-19


  9. Antony Gormley, Professor Richard Sennett, Neven Sidor: Designing Spaces for Thought

    Title: Designing Spaces for Thought : Antony Gormley, Professor Richard Sennett, Neven Sidor
    Location: LSE, Sheikh Zayed Theatre, New Academic Building
    Description: LSE Literary Weekend/ Urban Age panel discussion - Free Event
    Start Time: 11.30
    Date: 2009-02-28

    By exploring the experiential and social impacts of creating spaces for public engagement, contemplation and education - including the Fourth Plinth at Trafalgar Square and the LSE’s New Academic Building - an artist, an architect and a sociologist discuss the intellectual practice of ‘designing spaces for thought’.

    Antony Gormley is an award winning British sculptor.  Over the last 25 years he has revitalised the human image in sculpture through a radical investigation of the body as a place of memory and transformation, using his own body as subject, tool and material.

    Richard Sennett was born in Chicago in 1943. Richard Sennett is currently centennial professor of Sociology at LSE and Bemis professor of Social Sciences at MIT.

    Neven Sidor is a partner in Grimshaw Architects, who designed LSE’s New Academic Building.

    anthony gormley


  10. Ruptures

    thedrawingroom

    Ruptures

    Exhibition: Monika Grzymala

    The Drawing Room, E2 8BD, Thu 12 Feb to 5 Apr

    There is a fearful energy to Monika Grzymala’s drawing installations: layer upon layer of black lines scrawling up the gallery walls as if she’s suffering a manic bout of brain fever. They have a similar intensity to Henri Michaux’s shaky scribbles made while high on mescaline.

    Using strips of sticky tape, Grzymala builds up a complex web of lines determined by the architectural space around her.

    Her new installation will be a visual crescendo inspired by the chaos of the London skyline.